No Country For Old Men Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In Texas, 1980, hitman Anton Chigurh strangles a deputy sheriff to escape custody and uses a captive bolt pistol to kill a driver and steal his car. He spares the life of a gas station owner who accepts a challenge and successfully guesses the result of Chigurh's coin flip.

Hunting pronghorns in the desert, Llewelyn Moss comes across the aftermath of a drug deal gone bad. He finds several dead men and dogs, a wounded Mexican man begging for water, and two million dollars in a briefcase. He takes the money and returns home. That night, Moss returns to the scene with water. He is pursued by two men in a truck and escapes. At home, he sends his wife, Carla Jean, to stay with her mother, then drives to a motel in Del Rio, where he hides the case in his room’s air conditioning duct.

Chigurh, hired to recover the money, arrives to search Moss's home, where he uses his bolt pistol to blow the lock out of the door. Investigating the break in, Terrell County Sheriff Ed Tom Bell observes the blown-out lock. Following an electronic tracking device hidden in the money, Chigurh goes to Moss's motel room and kills a group of Mexicans who are waiting to ambush Moss. Moss has rented a second room adjacent to the Mexicans' room with access to the duct where the money is hidden. He retrieves the briefcase just before Chigurh opens the duct and finds it empty.

Moving to a hotel in the border town of Eagle Pass, Moss discovers the tracking device, but Chigurh has already found him. Their firefight spills onto the streets, killing a civilian, and both are wounded. Moss flees across to Mexico, stashing the case of money in weeds along the Rio Grande. Finding Moss severely injured, a passing norteño band takes him to a hospital. Carson Wells, another hired operative, fails to persuade Moss to accept protection in return for the money. Chigurh cleans and stitches his own wounds with stolen supplies and sneaks up on Wells at his hotel. After Wells unsuccessfully attempts to barter for his life, Chigurh kills him in his hotel room. Moss telephones the room and Chigurh answers, who then promises to also kill Carla Jean unless Moss freely gives up the money.

Moss retrieves the case from the bank of the Rio Grande and arranges to meet Carla Jean at a motel in El Paso, where he plans to give her the money and hide her from danger. Carla Jean is approached by Sheriff Bell, who promises to protect Moss. Carla Jean's mother unwittingly reveals Moss' location to a group of Mexicans who had been tailing them. Bell reaches the motel rendezvous at El Paso, only to hear gunshots and spot a pickup truck speeding from the motel. As Bell enters the parking lot, he sees Moss lying dead. When Carla Jean arrives, she chokes up upon finding out her husband is dead.

That night, Bell returns to the crime scene and finds the lock blown out. Chigurh hides behind the door after retrieving the money. Bell enters Moss's room and sees that the vent has been removed. Later, Bell visits his uncle Ellis, an ex-lawman, and tells him he plans to retire because he feels "over-matched". Ellis clarifies that the region has always been violent.

Weeks later, Carla Jean returns from her mother's funeral to find Chigurh waiting in her bedroom, as per his threat to Moss. She refuses his offer of a coin toss for her life, stating that the choice is entirely his own. Chigurh leaves the house, and as he drives away through the neighborhood, a car crashes into his at an intersection and Chigurh is injured. He bribes two young witnesses for their silence, and flees.

Now retired, Bell shares two dreams with his wife. In the first, he lost some money his father had given him. In the other, he and his father were riding through a snowy mountain pass; his father had gone ahead to make a fire in the darkness and wait for Bell.

The role of Llewelyn Moss was originally offered to Heath Ledger, but he turned it down to spend time with his newborn daughter Matilda. Garret Dillahunt was also in the running for the role of Llewelyn Moss, auditioning five times for the role, but instead was offered the part of Wendell, Ed Tom Bell's deputy. Josh Brolin was not the Coen's first choice, and enlisted the help of Quentin Tarantino and Robert Rodriguez to make an audition reel. His agent eventually secured a meeting with the Coens and he was given the part.

Javier Bardem nearly withdrew from the role of Anton Chigurh due to issues with scheduling. English actor Mark Strong was put on standby to take over, but the scheduling issues were resolved and Bardem took on the role.

Producer Scott Rudin bought the film rights to McCarthy's novel and suggested an adaptation to the Coen brothers, who at the time were attempting to adapt the novel To the White Sea by James Dickey. By August 2005, the Coens agreed to write and direct the film, having identified with how it provided a sense of place and also how it played with genre conventions. Joel Coen said that the book's unconventional approach "was familiar, congenial to us; we're naturally attracted to subverting genre. We liked the fact that the bad guys never really meet the good guys, that McCarthy did not follow through on formula expectations." Ethan Coen explained that the "pitiless quality" was a "hallmark of the book, which has an unforgiving landscape and characters but is also about finding some kind of beauty without being sentimental." The adaptation was the second of McCarthy's work, following All the Pretty Horses in 2000.

Writing

The Coens' script was mostly faithful to the source material. On their writing process, Ethan said, "One of us types into the computer while the other holds the spine of the book open flat." Still, they pruned where necessary. A teenage runaway who appeared late in the book and some backstory related to Bell were both removed. Also changed from the original was Carla Jean Moss's reaction when finally faced with the imposing figure of Chigurh. As explained by Kelly Macdonald, "the ending of the book is different. She reacts more in the way I react. She kind of falls apart. In the film she's been through so much and she can't lose any more. It's just she's got this quiet acceptance of it." In the book, there is also some attention paid to the daughter, Deborah, whom the Bells lost and who haunts the protagonist in his thoughts.

Richard Corliss of Time stated that "the Coen brothers have adapted literary works before. Miller's Crossing was a sly, unacknowledged blend of two Dashiell Hammett's tales, Red Harvest and The Glass Key; and O Brother Where Art Thou? transferred The Odyssey to the American south in the 1930s. But No Country for Old Men is their first film taken, pretty straightforwardly, from a prime American novel."

The writing is also notable for its minimal use of dialogue. Josh Brolin discussed his initial nervousness with having so little dialogue to work with:

I mean it was a fear, for sure, because dialogue, that's what you kind of rest upon as an actor, you know? Drama and all the stuff is all dialogue motivated. You have to figure out different ways to convey ideas. You don't want to overcompensate because the fear is that you're going to be boring if nothing's going on. You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn't need to be there. So yeah, I was a little afraid of that in the beginning.

Peter Travers of Rolling Stone praised the novel adaptation. "Not since Robert Altman merged with the short stories of Raymond Carver in Short Cuts have filmmakers and author fused with such devastating impact as the Coens and McCarthy. Good and evil are tackled with a rigorous fix on the complexity involved."

Director Joel Coen justified his interest in the McCarthy novel. "There's something about it – there were echoes of it in No Country for Old Men that were quite interesting for us", he said, "because it was the idea of the physical work that somebody does that helps reveal who they are and is part of the fiber of the story. Because you only saw this person in this movie making things and doing things in order to survive and to make this journey, and the fact that you were thrown back on that, as opposed to any dialogue, was interesting to us."

Coen stated that this is the brothers' "first adaptation". He further explained why they chose the novel: "Why not start with Cormac? Why not start with the best?" He further described this McCarthy book in particular as "unlike his other novels... it is much pulpier." Coen stated that they have not changed much in the adaptation. "It really is just compression," he said. "We didn't create new situations." He further assured that he and his brother Ethan had never met McCarthy when they were writing the script, but fir