Jobs is a 2013 American biographical drama film based on the life of Steve Jobs, from 1974 while a student at Reed College to the introduction of the iPod in 2001. It is directed by Joshua Michael Stern, written by Matt Whiteley, and produced by Stern and Mark Hulme. Steve Jobs is portrayed by Ashton Kutcher, with Josh Gad as Apple Computer's co-founder Steve Wozniak. Jobs was chosen to close the 2013 Sundance Film Festival.
Jobs | |
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Theatrical release poster | |
Directed by | Joshua Michael Stern |
Produced by |
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Written by | Matt Whiteley |
Based on | Steve Jobs |
Starring |
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Music by | John Debney |
Cinematography | Russell Carpenter |
Edited by | Robert Komatsu |
Production company |
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Distributed by | Open Road Films |
Release date |
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Running time | 129 minutes |
Country | United States |
Language | English |
Budget | $12 million |
Box office | $35.9 million |
Screenplay
The film opens in 2001 with a middle-aged Steve Jobs (Ashton Kutcher) introducing the iPod at an Apple Town Hall meeting.
It then flashes back to Reed College in 1974. Jobs had already dropped out due to the high expense of tuition, but was still attending classes with the approval of Dean Jack Dudman (James Woods) who took him under his wing. Jobs is particularly interested in a course on calligraphy. He meets up with his friend Daniel Kottke (Lukas Haas) who is excited to see that Jobs is holding a copy of Be Here Now by Baba Ram Dass. Influenced by this book and his experiences with LSD, Jobs and Kottke spend time in India.
Two years later, Jobs is back in Los Altos, California living at home with his adoptive parents Paul (John Getz) and Clara (Lesley Ann Warren). He is working for Atari and develops a partnership with his friend Steve Wozniak (Josh Gad) after he sees that Wozniak has built a personal computer (the Apple I). They name their new company Apple Computer, though there already is a company called Apple Records that is owned by The Beatles (Wozniak then teases Jobs that this is symbolic of his preference for Bob Dylan). Wozniak gives a demonstration of the Apple I at the Homebrew Computer Club. Jobs is later approached by Paul Terrell (Brad William Henke) who shows interest in the Apple I. Knowing that he and Wozniak will need a studio in which to build them, Jobs convinces his father Paul to allow them to use the family garage (set up as a carpentry/tool center) for his new company. Realizing that they cannot build these computers alone, Jobs also recruits Kottke, Bill Fernandez (Victor Rasuk), and Chris Espinosa (Eddie Hassell) to the Apple team.
Terrell, however, is disappointed by the Apple I, a reaction which inspires Jobs to start again with a second model. He hires Rod Holt (Ron Eldard) to reconceptualize the power supply for what would be called the Apple II. In addition, after many failed attempts, Jobs finally wins the interest of a venture capitalist, Mike Markkula (Dermot Mulroney), who also joins Apple. They release the Apple II at the 1977 West Coast Computer Faire where it is a remarkable success. Suddenly Jobs and the company are very successful.
The success also causes Jobs to distance himself from his friends and his high school girlfriend Chrisann Brennan (Ahna O'Reilly). When Brennan tells him she is pregnant with their child, he promptly ends their relationship. Brennan eventually gives birth to Lisa Brennan whom Jobs continues to deny as his daughter. He also brings in John Sculley (Matthew Modine) to become the CEO of the company. As his behavior becomes more erratic (for example firing an employee for not appreciating his investment in using fonts), Jobs is moved away from The Lisa to the Macintosh Group where he works with Bill Atkinson, Burrell Smith (Lenny Jacobson), Chris Espinosa, and Andy Hertzfeld (Elden Henson). He also forces the original team leader of the Macintosh group, Jef Raskin, out of it. Though the Macintosh is introduced with a great deal of fanfare in 1984, Jobs is forced out of the company by Sculley in 1985.
The film jumps forward to 1996. Jobs is married to Laurene Powell Jobs (Abby Brammell) and has accepted Lisa (Annika Bertea) as his daughter (she now lives with them). He has a son, Reed (Paul Baretto) and is also running the company NeXT which Apple decides to buy. He is asked by then-CEO Gil Amelio to return to Apple as a consultant. Jobs does so and soon he is named the new CEO, ultimately firing Amelio and his ex-friend Markkula (who refused to support him when he was forced out of Apple 11 years prior). Jobs becomes interested in the work of Jony Ive (Giles Matthey) and works to reinvent Apple. The film ends with Jobs recording the dialogue for the Think Different commercial in 1997. Before the credits, there are original photos of all the main characters paired with clips from the film of the actor playing the part, plus a dedication to Steve Jobs.
Apple
- Ashton Kutcher as Steve Jobs
- Josh Gad as Steve Wozniak
- Lukas Haas as Daniel Kottke
- Victor Rasuk as Bill Fernandez
- Eddie Hassell as Chris Espinosa
- Ron Eldard as Rod Holt
- Nelson Franklin as Bill Atkinson
- Elden Henson as Andy Hertzfeld
- Lenny Jacobson as Burrell Smith
- Giles Matthey as Jony Ive
- Dermot Mulroney as Mike Markkula
- Matthew Modine as John Sculley
- J. K. Simmons as Arthur Rock
- Kevin Dunn as Gil Amelio
- Brett Gelman as Jef Raskin
Family
- John Getz as Paul Jobs
- Lesley Ann Warren as Clara Jobs
- Abby Brammell as Laurene Powell Jobs
- Annika Bertea as Lisa Brennan-Jobs (adult)
- Ava Acres as Lisa Brennan (child)
- Ahna O'Reilly as Chrisann Brennan
Other
- James Woods as Jack Dudman
- David Denman as Al Alcorn
- Brad William Henke as Paul Terrell
- Robert Pine as Edgar S. Woolard, Jr.
- Amanda Crew as Julie
Development
Screenwriter Matt Whiteley began work on the screenplay around the time Steve Jobs took medical leave from Apple to battle pancreatic cancer. Director Joshua Michael Stern stated in an interview that all material for the screenplay was collected via research and interviews:
Mark Hulme, our producer, had an expert team of researchers to comb through all public records and interviews that had anything to do with Steve Jobs. Mark, the screenwriter and the research team, also took it upon themselves to interview quite a large pool of people who either worked at Apple or worked with Steve to make sure we portrayed as accurate a portrait and telling of the events possible within the constraints of the film's length.
Filming
Production began in June 2012 at Jobs' childhood home in Los Altos, California, with the help of Jobs' stepmother, Marilyn Jobs (who still lives there). It was also observed by his sister Patricia. UCLA was used as the backdrop for Jobs' time at Reed College. The majority of the film was shot in the Los Angeles region. Russell Carpenter was the cinematographer.
In August 2012, production moved to New Delhi and Vrindavan in order to provide the setting for Jobs' 1974 trek to India. Locations include "Delhi's Jama Masjid, the Hauz Khas Complex, Safdarjung Tomb and Humayun's Tomb." Aseem Bajaj (Bandit Queen, Chameli, and Khoya Khoya Chand) served as cinematographer for scenes shot in India, though cinematographer Russell Carpenter went to India as well. Bajaj notes that they "shot guerrilla style in the crazy and mad by-lanes of Chandni Chowk in Old Delhi. We shot near the Red Fort and the famous Jama Masjid for two full days with multiple cameras spread across everywhere. Ashton stood frozen with the chaos staring right in his face which helped us capture what Steve Jobs must have felt on his visit to India."
The Business Insider described the film's opening as a box office flop, earning $6.7 million in its first weekend and placed seventh overall.
It had a worldwide gross of $35.9 million against its $12 million budget, making the film a modest box office success.
E! Online said, "Critics have taken the film to task for a reach that falls far short of its ambition, marred by its superficial and unsatisfying portrait of an icon who deserved better." Forbes reported that the consensus among critics was "mixed positives for Kutcher's performance" and a "thumbs down for Joshua Michael Stern's film." On Rotten Tomatoes, the film holds a 28% rating, based on 130 reviews, with a weighted average of 4.9/10. The website's critical consensus reads, "An ambitious but skin-deep portrait of an influential, complex figure, Jobs often has the feel of an over-sentimentalized made-for-TV biopic." Review aggregator Metacritic gave the film a score of 44 out of 100, based on 35 critics, indicating "mixed or average reviews".
Robert X. Cringely, author of Accidental Empires and creator of the documentaries Triumph of the Nerds and Steve Jobs: The Lost Interview, argues that "the film is beautifully shot and Kutcher's portrayal of Jobs, while not spot-on, is pretty darned good. He certainly has the look down and the walk. But Ashton Kutcher also produced this film and he's definitely a better actor than producer. There are a lot of historical inaccuracies that just don't have to be there. ... The great failing of this film is the same failing as with Walter Isaacson's book: something happened during Steve's NeXT years (which occupy less than 60 seconds of this 122 minute film) that turned Jobs from a brat into a leader, but they don't bother to cover that." Mick LaSalle of the San Francisco Chronicle states that "at its best, it's a good picture, and at its worst, it's almost good." Peter Travers of Rolling Stone suggests that "Kutcher nails the genius and narcissism. It's a quietly dazzling performance" but also notes that "Jobs is a one-man show that needed to go for broke and doesn't. My guess is that Jobs would give it a swat." Contributor for rogerebert.com, Susan Wloszczyna, gave the movie 2/4 stars, saying that, "Rather than attempting a deeper plunge behind the whys and wherefores of the elite business-model gospel according to Apple Inc. guru Steve Jobs and – more importantly – what it says about our culture, the filmmakers follow the easy rise-fall-rise-again blueprint familiar to anyone who has seen an episode of VH1's Behind the Music." She further discusses how Kutcher's performance and the overall movie failed to portray Jobs in iconic manner that current pop culture suggests even after Jobs' passing. In a movie review for The New York Times, writer Manohla Dargis writes that Jobs was "inevitably unsatisfying" and a result of a poor performance of the filmmakers rather than the actors themselves.
In a January 2
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