Aladdin is a 1992 American animated musical fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The film is the 31st Disney animated feature film, and was the fourth produced during the Disney film era known as the Disney Renaissance. It was produced and directed by Ron Clements and John Musker, and is based on the Arabic folktale of the same name from One Thousand and One Nights and the French interpretation by Antoine Galland. The voice cast features Scott Weinger, Robin Williams, Linda Larkin, Jonathan Freeman, Frank Welker, Gilbert Gottfried and Douglas Seale. The film follows Aladdin, an Arabian street urchin, who finds a magic lamp containing a genie. In order to hide the lamp from the Grand vizier, he disguises himself as a wealthy prince, and tries to impress the Sultan and his daughter.
Aladdin | |
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Theatrical release poster by John Alvin | |
Directed by | Ron Clements John Musker |
Produced by | Ron Clements John Musker |
Screenplay by | Ron Clements John Musker Ted Elliott Terry Rossio |
Story by |
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Based on |
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Starring |
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Music by | Alan Menken |
Edited by | Mark A. Hester H. Lee Peterson |
Production companies |
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Distributed by | Buena Vista Pictures |
Release date |
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Running time | 90 minutes |
Country | United States |
Language | English |
Budget | $28 million |
Box office | $504.1 million |
Lyricist Howard Ashman first pitched the idea, and the screenplay went through three drafts before then-Walt Disney Studios president Jeffrey Katzenberg agreed to its production. The animators based their designs on the work of caricaturist Al Hirschfeld, and computers were used for finishing the artwork and creating some animated elements. The musical score was written by Alan Menken and features six songs with lyrics written by Ashman and Tim Rice, who took over after Ashman's death.
Aladdin was released on November 25, 1992, to critical and commercial success, becoming the highest-grossing film of 1992 with an earn of over $504 million in worldwide box office revenue. Upon release, it became the first animated feature to reach the half–billion dollar mark, and was briefly the highest-grossing animated film of all time until it was surpassed by The Lion King. Aladdin garnered two Academy Awards, as well as other accolades for its soundtrack which had the first and only number from a Disney feature to earn a Grammy Award for Song of the Year for the film's theme song sung by Peabo Bryson and Regina Belle. The film's VHS release also set a sales record and grossed about $500 million in the United States. Aladdin's success led to various derived works and other material inspired by the film, including two direct-to-video sequels, The Return of Jafar (1994) and Aladdin and the King of Thieves (1996); an animated television series of the same name; and a Broadway adaptation. In 2016, it was announced that a live-action film adaptation directed by Guy Ritchie was in the works.
Screenplay
In the fictional city of Agrabah (which Disney places near the Jordan river), Jafar, the Grand vizier of the Sultan, and his parrot Iago, seek the lamp hidden within the Cave of Wonders, but are told that only a "diamond in the rough" may enter. Jafar identifies a street urchin named Aladdin. Princess Jasmine, who refuses to marry a suitor, temporarily leaves the palace and meets Aladdin and his pet monkey, Abu. Aladdin and Jasmine become friends and eventually fall in love. When the palace guards capture Aladdin on Jafar's orders, Jasmine confronts Jafar to demand Aladdin's release, only for Jafar to lie to her that Aladdin has been beheaded.
Disguised as an old man, Jafar frees Aladdin and Abu from prison, and sends them to the cave, ordering them to retrieve the lamp. There, Aladdin finds a magic carpet and obtains the lamp. Unaware to touch nothing but the lamp, Abu grabs a red jewel, and the cave collapses. Aladdin hands over the lamp to Jafar, who throws both Aladdin and Abu back down into the cave, though not before Abu manages to steal the lamp back. Trapped, Aladdin rubs the lamp and meets the Genie, who lives inside of it. The Genie tells Aladdin that he will grant him three wishes. Aladdin tricks the Genie into freeing themselves from the cave without using a wish, and he uses his first to become "Prince Ali Ababwa" in order to woo Jasmine.
At Iago's suggestion, Jafar plots to become Sultan by marrying Jasmine. When Aladdin greets Jafar and the Sultan at the palace, Jasmine becomes angry at them. Refusing to tell Jasmine the truth, Aladdin takes Jasmine on a flight on the magic carpet. When she deduces his identity, he convinces her that he dresses as a peasant to escape the stresses of royal life. After sending Jasmine home, Aladdin is tied up, gagged and thrown into the sea by Jafar, but he is rescued from drowning by the Genie with his second wish. Jafar tries to hypnotize the Sultan into agreeing to his marriage to Jasmine, but Aladdin intervenes, exposing his evil plot in the process; however, Jafar spots the lamp and thus discovers Aladdin's true identity. He flees to his lair, and orders Iago to retrieve the lamp from Aladdin.
Fearing that he will lose Jasmine if the truth is revealed, Aladdin refuses to free the Genie in order to maintain his charade. Iago steals the lamp, and Jafar becomes the Genie's new master. He uses his first two wishes to usurp the Sultan, and become the world's most powerful sorcerer, exposing Aladdin's identity and exiling him, Abu, and the carpet to a frozen wasteland. However, they escape, and return to the palace, where Jafar tries to use his final wish to make Jasmine fall in love with him, but the Genie cannot grant the wish as it is beyond his power. Upon noticing Aladdin, Jasmine pretends the wish has been granted to distract Jafar, and Aladdin attempts to retrieve the lamp. Jafar notices Aladdin, traps Jasmine inside an hourglass, and overpowers Aladdin and his friends with his magic. After Aladdin rescues Jasmine out of the hourglass, he tricks Jafar into using his last wish to become an all-powerful genie; now bound to his new lamp, Jafar ends up trapped inside it, taking Iago with him.
With the palace and kingdom returned to normal, the Genie transports Jafar's lamp to the Cave of Wonders, and advises Aladdin use his third wish to regain his royal title so the law will allow him to stay with Jasmine. Realizing that he has to be himself, Aladdin decides to keep his promise and frees the Genie. Realizing Aladdin and Jasmine's love, the Sultan changes the law to allow Jasmine to marry whom she chooses. The Genie leaves to explore the world, while Aladdin and Jasmine start their new life together.
- Scott Weinger as Aladdin, a poverty-stricken but well-meaning Agrabah thief. For his audition, Weinger sent in a homemade audition tape as Aladdin with his mother playing the Genie, and after several callbacks found out six months later that he has been cast as the title character. Aladdin's supervising animator was Glen Keane. Brad Kane provides Aladdin's singing voice.
- Robin Williams as Genie, a comedic jinn?, with high power that can only be exercised when his master wishes it. Clements and Musker had written the role of the Genie for Robin Williams, and, when met with resistance, created a reel of a Williams stand-up to animation of the Genie. The directors asked Eric Goldberg, Genie's supervising animator, to animate the character over one of Williams' old stand-up comedy routines to pitch the idea to the actor. The resulting test, where Williams' stand-up about schizophrenia was translated into Genie growing another head to argue with himself, made Williams "laugh his ass off" and convinced him to sign on for the role. Williams' appearance in Aladdin marks the beginning of a transition in animation to celebrity voice actors, rather than specifically trained voice actors in animated films. Genie's supervising animator was Eric Goldberg.
- Linda Larkin as Jasmine, the princess of Agrabah, who is bored of life in the royal palace. Larkin was chosen for the role of Jasmine nine months after her audition, and had to adjust, or lower, her high-pitched voice to reach the voice the filmmakers were looking for in the character. Jasmine's supervising animator was Mark Henn. Lea Salonga provides Jasmine's singing voice.
- Jonathan Freeman as Jafar, the power-hungry Grand vizier of Agrabah. Freeman was the first actor cast and spent one year and nine months recording his dialogue. He later readjusted his voice after Weinger and Larkin were cast as he felt "Jafar had to be seen as a real threat to Aladdin and Jasmine", as he was originally envisioned as an irritable character, but the directors decided that a calm villain would be scarier. Jafar's supervising animator was Andreas Deja, while Jafar's beggar and snake forms are animated by Kathy Zielinski.
- Frank Welker as Abu, Aladdin's kleptomaniac pet monkey with a falsetto voice. Welker also voices Jasmine's tiger Rajah and the Cave of Wonders. Duncan Marjoribanks was the supervising animator for Abu, while Rajah was animated by Aaron Blaise.
- Gilbert Gottfried as Iago, Jafar's sardonic, hot-tempered parrot assistant. Will Finn was the supervising animator for Iago.
- Douglas Seale as The Sultan, the dopey but friendly ruler of Agrabah, who desperately tries to find a suitor for his daughter Jasmine. The Sultan's supervising animator was David Pruiksma.
- Jim Cummings as Razoul, the Captain of the Guards. He and the other guards were animated by Phil Young and Chris Wahl.
- Charlie Adler as Gazeem, a thief that Jafar sends into the Cave of Wonders at the beginning of the film but is trapped inside for being unworthy. Gazeem was animated by T. Daniel Hofstedt.
- Corey Burton as Prince Achmed, an arrogant prince whom Princess Jasmine rejects as a suitor.
Script and development
In 1988, lyricist Howard Ashman pitched the idea of an animated musical adaptation of Aladdin. Ashman had written a 40-page film treatment remaining faithful to the plot and characters of the original story, but envisioned as a campy 1930s-style musical with a Cab Calloway/Fats Waller-like Genie. Along with partner Alan Menken, Ashman conceived several songs and added Aladdin's friends named Babkak, Omar, and Kasim to the story. However, the studio was dismissive of Ashman's treatment and removed the project from development. Ashman and Menken were later recruited to compose songs for Beauty and the Beast. Linda Woolverton, who had also worked on Beauty and the Beast, used their treatment and developed a draft with inspired elements from The Thief of Bagdad such as a villain named Jaf'far, an aged sidekick retired human thief named Abu, and a human handmaiden for the princess. Then, directors Ron Clements and John Musker joined the production, picking Aladdin out of three projects offered, which also included an adaptation of Swan Lake and King of the Jungle – that eventually became The Lion King. Before Ashman's death in March 1991, Ashman and Menken had composed "Prince Ali" and his last song, "Humiliate the Boy".
Musker and Clements wrote a draft of the screenplay, and then delivered a story reel to studio chief Jeffrey Katzenberg in April 1991. Katzenberg thought the script "didn't engage", and on a day known by the staff as "Black Friday," demanded that the entire story be rewritten without rescheduling the film's November 25, 1992 release date. Among the changes Katzenberg requested from Clements and Musker were to not be dependent on Ashman's vision, and the removal of Aladdin's mother, remarking, "Eighty-six the mother. The mom's a zero." Screenwriting duo Ted Elliott and Terry Rossio were brought in to rework the story, and the changes they made included the removal of Aladdin's mother, the strengthening of the character of Princess Jasmine, and the deletion of several of the Ashman-Menken songs. Aladdin's personality was rewritten to be "a little rougher, like a young Harrison Ford," and the parrot Iago, originally conceived as an uptight British archetype, was reworked into a comic role after the filmmakers saw Gilbert Gottfried in Beverly Hills Cop II, who was then cast for the role. By October 1991, Katzenberg was satisfied with the new version of Aladdin.
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