Smitha was born in a Telugu family to Ramallu and Sarasamma in Eluru. She left school after her fourth standard (in India, at about 8 years of age) due to the family's financial constraints. Her striking looks burdened her with uninvited attention, and her family married her off at a very young age. When she was ill-treated by her husband and in-laws, she ran away to Madras (now known as Chennai) and started living with an aunt.
Smitha started as a touch-up artist for an actress and soon got a break in small character roles. Later she was discovered by Vinu Chakravarthy, director at a flour mill near AVM studios. He changed her name to Smitha and took her under his wing; his wife taught her English and arranged for her to learn dancing, though soon, due to her marked sex appeal, she switched to roles of cabaret dancers and vamps and inevitably found herself typecast. After garnering much notice and acclaim with her first major role in the Tamil film Vandichakkaram, in 1979, Smitha assumed the screen name "Silk", after her character's name in the movie. After it became a big hit, she could not escape typecasting, severely limiting her range throughout her career.
Smitha went on to star in Telugu, Tamil, Malayalam, Kannada and a few Hindi films. Her dance numbers and bold performances in films like Moondru Mugam made her the ultimate symbol of sensuality in South Indian cinema. Her item numbers in films like Amaran, Hallimeshtru Kannada were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress.[11] A vast majority of her movies are considered 'softcore' by Indian standards and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Her acting prowess did not go completely unnoticed, and in her rare non-sexual roles she impressed critics and audiences, such as her portrayal of a wife hurt by her role in her husband's rape of their maid (which she passively allowed by not preventing him from entering the maid's bathroom and standing "guard" during the shameful act, to prevent embarrassment to their family) and when she poignantly admitted her mistake in her confrontation of her husband in Alaigal Oivathillai (1981).[4] One of her films, Layanam (1989), has earned a cult status in the Indian adult film industry and was dubbed in numerous languages, including Hindi (Reshma Ki Jawani, 2002), which, too, acquired cult status.[4][12] Her most respected film is Moondram Pirai by Balu Mahendra, remade in Hindi as Sadma, with much of the top-drawer cast, including Sridevi, Kamal Hassan, and Silk Smitha reprising their roles.[13]
Such was her audience-drawing power that, at the peak of her career, according to Tamil film historian Randor Guy, "Films that had lain in cans for years were sold by the simple addition of a Silk Smitha song."[4]
Silk Smitha had a small circle of close friends. She was an introvert and did not make friends very quickly with anyone that easily. She is also known for her short temper and straightforwardness, which some mistakenly took for arrogance. In reality, she was punctual (arriving in movie sets way before the shooting commences), responsible, and very ambitious (having learned to speak the English language fluently despite her limited education). She is also described as having a 'soft' and 'child like' personality by her close friends and fans. She was very skilled with make up and made it her profession before entering the industry. She was naturally beautiful and well known for her doe like eyes, golden complexion, and physique.
On the night of September 22, 1996 she had contacted her friend, dancer Anuradha, to discuss a matter that was disturbing her. Anuradha said she could not come during the night, as her husband would be coming home shortly, but would meet her in the morning.
In the morning of September 23, 1996, Smitha was found dead in her Chennai home, much to the shock of her fans. The reason behind her death remains a mystery. Some believe it was suicide, due to depression over her debt accumulated from producing movies, while others call it foul play.[14][15]
year | movie | Role | Language |
---|---|---|---|
1979 | Inaye Thedi | Malayalam | |
1979 | Vandichakkaram | Silk as bar girl | Tamil |
1979 | Pushyaraagam | Malayalam | |
1979 | Ottapettavar | Malayalam | |
1980 | Karimbana | Malayalam | |
1980 | Saraswatheeyaamam | Malayalam | |
1980 | Ivar | Malayalam | |
1980 | Rajaneegandhi | Sheela | Malayalam |
1981 | Avatharam | Thankamani | Malayalam |
1981 | Vayal | Parvathi | Malayalam |
1981 | Alaigal Oivathillai | Tamil | |
1981 | Seethakoka Chiluka | Telugu | |
1981 | Sneham Oru Pravaaham | Malayalam | |
1981 | Pinneyum Pookkunna Kaadu | Malayalam | |
1981 | Needhi Pizhaithathu | Tamil | |
1982 | Yamakinkarudu | Telugu | |
1982 | Moondram Pirai | Headmaster's wife | Tamil |
1982 | Theeram Thedunna Thira | Malayalam | |
1982 | Sagalakala Vallavan | Lalitha | Tamil |
1982 | Parvaiyin Marupakkam | Anitha | Tamil |
1982 | Pattanathu Rajakkal | Tamil | |
1982 | Thanikattu Raja | Tamil | |
1982 | Ranga | Ravi's girlfriend | Tamil |
1982 | Neram Vandhachu | Rekha | Tamil |
1982 | Theerpu | Tamil | |
1982 | Sivantha Kankal | Tamil | |
1982 | Kaalan | Malayalam | |
1982 | Moondru Mugam | Tamil | |
1982 | Kozhi Koovuthu | Chittu | Tamil |
1983 | Paayum Puli | Tamil | |
1983 | Thudikkum Karangal | Tamil | |
1983 | Sadma | Soni | Hindi |
1983 | Thai Veedu | Tamil | |
1983 | Adutha Varisu | Tamil | |
1983 | Thambathigal | Tamil | |
1983 | Justice Raja | Item dancer | Malayalam |
1983 | Nizhal Moodiya Nirangal | Malayalam | |
1983 | Attakkalasam | Malayalam | |
1983 | Eettappuli | Rani | Malayalam |
1983 | Snehabandham | Malayalam | |
1983 | Prathigna | Malayalam | |
1983 | Rathilayam | Rathi | Malayalam |
1983 | Thanga Magan | Tamil | |
1983 | Khaidi | Telugu | |
1983 | Jeet Hamaari | Soni | Hindi |
1983 | Jaani Dost | Laila | Hindi |
1983 | Silk Silk Silk | Tamil | |
1983 | Soorakottai Singakutti | Tamil | |
1983 | Gudachari No.1 | Telugu | |
1983 | Roshagadu | Telugu | |
1984 | Challenge | Priyamvada | Telugu |
1984 | Rustum | Telugu | |
1984 | Idavelakku Shesham | Dolly | Malayalam |
1984 | Abhimanyudu | Telugu | |
1984 | Hero | Telugu | |
1984 | Agni Gundam | Telugu | |
1984 | Neenga Kettavai | Tamil | |
1984 | Vaazhkai | Tamil | |
1984 | Kairasikkaran | Aisha | Tamil |
1984 | Prachanda Kulla | Kannada | |
1984 | Niraparaadhi | Malayalam | |
1984 | Umanilayam | Reena | Malayalam |
1984 | Bullet | Shobha | Malayalam |
1985 | Ottayan | Rani | Malayalam |
1985 | Revenge | Geetha | Malayalam |
1985 | Chorakku Chora | C.I.D Silk | Malayalam |
1985 | Jeevante Jeevan | Malayalam | |
1985 | Kiratham | Dancer | Malayalam |
1985 | Prathikarajwaala | Malayalam | |
1985 | Chattamtho Poratam | Telugu | |
1985 | Shri Datta Darshanam | Telugu | |
1985 | Donga | Telugu | |
1986 | Rakshasudu | Telugu | |
1986 | Kirathakudu | Hamsa | Telugu |
1986 | Annoru Raavil | Malayalam | |
1986 | Urukku Manushyan | Malayalam | |
1986 | Pensimham | Malayalam | |
1986 | Kulambadikal | Malayalam | |
1987 | Aalappirandhavan | Tamil | |
1987 | Cooliekkaran | Tamil | |
1988 | Khaidi No.786 | Telugu | |
1988 | Jeeva | Tamil | |
1988 | Paatti Sollai Thattathe | Anushiya | Tamil |
1989 | Miss Pamela | Malayalam | |
1989 | Layanam | Malayalam | |
1989 | Andru Peytha Mazhaiyil | Capri | Tamil |
1989 | Adharvam | Ponni | Malayalam |
1989 | Praayapoorthiyaayavarkku Maathram | Malayalam | |
1989 | Pick Pocket | Tamil | |
1989 | New Year | Malayalam | |
1989 | Sonthakkaran | Sudha | Tamil |
1989 | Geethanjali | Guest appearance in song | Telugu |
1990 | Adhisaya Manithan | Tamil | |
1990 | Shesham Screenil | Malayalam | |
1990 | Naale Ennundekil | Jyothi | Malayalam |
1990 | Avasara Police 100 | Amulu | Tamil |
1990 | Sunday 7 PM | Sherly | Malayalam |
1990 | Bamma Maata Bangaru Baata | Anasuya | Telugu |
1991 | Aditya 369 | Rajanarthaki Nandini | Telugu |
1991 | Thalattu Ketkuthamma | Dr. Mary | Tamil |
1991 | Chaitanya | Smitha | Telugu |
1991 | Thambikku Oru Paattu | Tamil | |
1991 | Onnum Theriyatha Pappa | Tamil | |
1991 | Idhayam | Tamil | |
1992 | Amaran | Area Girl | Tamil |
1992 | Deiva Kuzhanthai | Kuyilu | Tamil |
1992 | Kizhakku Veluthachu | Alamelu | Tamil |
1992 | Naadody | Malayalam | |
1992 | Vasudha | Malayalam | |
1992 | Rishi | Malayalam | |
1992 | Halli Meshtru | Kannada | |
1992 | Antham | bar dancer | Telugu |
1992 | Pangali | Tamil | |
1993 | Sabash Babu | Tamil | |
1993 | Nallathe Nadakkum | Ramadevi | Tamil |
1993 | Bava Bavamaridi | Chintamani | Telugu |
1993 | Saakshaal Sreeman Chaatthunni | Herself | Malayalam |
1993 | Kunthi puthrudu | Telugu | |
1993 | Govindha Govindha | Guest Appearance in song | Telugu |
1993 | Mafia | Item Dance | Malayalam |
1993 | Aadhityan | Manga | Tamil |
1993 | Ulle Veliye | Tamil | |
1993 | Alimayya | Kannada | |
1993 | Rakshana | Telugu | |
1993 | Muta Mestri | Telugu | |
1994 | Oru Vasantha Geetham | Tamil | |
1994 | Athiradi Padai | Tamil | |
1994 | Palnati Pourusham | Bala | Telugu |
1994 | Maro Quit India | Telugu | |
1994 | CID Unnikrishnan BA BED | Malayalam | |
1994 | Chinna | Kannada | |
1994 | Lockup Death | Item Number | Kannada |
1994 | Gentleman Security | Item Dance | Malayalam |
1994 | May Madham | Palakkattu Machanukku song (Guest Appearance) | Tamil |
1994 | Hero | Tamil | |
1995 | Chilakapachcha Kaapuram | Telugu | |
1995 | Lucky Man | Tamil | |
1995 | Villadhi Villain | Tamil | |
1995 | Hijack | Dalia | Malayalam |
1995 | Spadikam | Laila | Malayalam |
1995 | Mazhavil Koodaram | Rathi Teacher | Malayalam |
1995 | Special Squard | Madhumathi | Malayalam |
1995 | Karma | Item Dancer | Malayalam |
1995 | Kaattile Thadi Thevarude Aana | Malayalam | |
1995 | Thumboli Kadappuram | Clara | Malayalam |
1995 | Three Men Army | Item Dancer | Malayalam |
1995 | Arabikadaloram | Vaishali | Malayalam |
1996 | Coimbatore Mappillai | item Number | Tamil |
1996 | Pallivathukkal Thommichan | Kathreena | Malayalam |
1996 | Sugavaasam | Malayalam | |
1996 | Sulthan Hyderali | Volga | Malayalam |
1996 | Kireedamillatha Rajakkanmar | Rajamma | Malayalam |
1996 | Aavathum Pennale Azhivathum Pennale | item Number | Tamil |
1996 | Pacha Thoranam | KanyaKumari | Telugu |
1996 | Maa Aavida Collector | Telugu | |
1996 | Kishkinda Kaanda | Telugu | |
1996 | Time Bomb | Malayalam, Hindi[16] | |
1996 | Subash | item Number | Tamil |
In 2011, a biographical film on Silk Smitha's life, titled The Dirty Picture, was produced in Hindi by Ekta Kapoor. The movie was directed by Milan Luthria[17] and starred Vidya Balan (who later won National Film Award for Best Actress). The movie was released on Smitha's birthday (2 December 2011) and received favourable reviews. Reports suggest that the family of Silk Smitha, on whom the film is based, is not happy with the movie. Smitha's brother V Naga Vara Prasad claimed the film was made without the family's consent.[18] After the claim, Ekta Kapoor immediately changed her statement by quoting The Dirty Picture is not based on Silk Smitha's life.[19]
However, in 2013, a Kannada film titled Dirty Picture: Silk Sakkath Hot starring Pakistani actress Veena Malik was released. The film was based on Silk Smitha and Veena Malik was praised for her performance in the film. The film was a huge hit in Karnataka.
A Malayalam film titled Climax starring Sana Khan as Silk Smitha released on 24 May 2013.
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