Durga Khote Pic images with whatsapp number and contact address

Khote was born as Vita Laud, to a family which hailed from Goa and spoke Konkani at home. Her father's name was Pandurang Laud and her mother's name was Manjulabai. She grew up in a large joint family in Kandewadi. She was educated at Cathedral High School and St. Xavier's College where she studied for B.A. While still in college, she married into the Khote family, graduated and settled down with her husband.

By the age of 26, Durga Khote was a widowed mother with two young sons; Bakul and Harin. She had to seek work in film to support her children. In doing so, she became a pioneer of sorts: She hailed from a traditional family and the film industry was regarded as the preserve of the base and the bawdy. Also, most of the female characters were played by men at the time.

Durga Khote debuted in a minor role in the obscure 1931 silent film Farebi Jaal, by the Prabhat Film Company, followed by Maya Machindra (1932). She was soon promoted to play heroine in the 1932 double version (Hindi and Marathi) Ayodhyecha Raja, another Prabhat film, which was the first ever Marathi talkie, and proved to be a runaway hit, where she played the role of Rani Taramati. Indeed, she ventured yet another pioneering trend: Despite working closely with the Prabhat Film Company, she broke away from the "studio system" (exclusive contract with a studio to work in its films on a monthly salary) then in vogue and became one of the first "freelance" artistes of that era by working occasionally with the New Theatres, East India Film Co. (both at Calcutta), and Prakash Pictures.

In 1936, she played Saudamini in Amar Jyoti, which is one of her most "memorable" roles.

In 1937, she produced and directed a film titled Saathi, making her one of the first women to step into this role in Indian cinema. The 40s opened for her in a big way, with award-winning performances in Aachary Atre's Payachi Dasi (Marathi) and Charnon Ki Dasi (Hindi) (1941) and Vijay Bhatt's classic Bharat Milap (1942), both of which got her the BFJA Best Actress Award for two consecutive years.

Durga Khote remained active in the theatre circuit for many years, especially the Marathi theatre in Mumbai. She was actively associated with the Indian People's Theatre Association (IPTA) and worked in several plays for the Mumbai Marathi Sahitya Sangh. In 1954, she famously performed the role of Lady Macbeth in V.V. Shirwadkar's Marathi adaptations of Macbeth, as Rajmukut, The Royal Crown, along with Nanasaheb Phatak.

Durga Khote played a wide variety of roles over a career that was not only long, but also untouched by scandal. She was the inspiration for several generations of Indian actresses, including veterans such as the late Shobhna Samarth, who frequently spoke of how she had been inspired by Khote's example.

During later years, she played several important character roles, such as the mother of the protagonist. Her portrayal of Jodhabai, the queen of Akbar torn between duty towards her husband and love towards her son in Mughal-e-Azam (1960) was well received. In 1963, she acted in Merchant Ivory's debut film The Householder (1963).

She went on to play other widely appreciated character roles in later movies, such as the role of the grandmother of the heroine in Bobby (1973), the hero's aunt in Abhimaan (1973), and the very memorable Bidaai (1974), where she played a mother, a very sensitive role that can make one cry and received the Filmfare Best Supporting Actress Award.

Her final memorable role was in Subhash Ghai's Karz (1980), where she played the role of the mother of Raj Kiran and later, mother to Rishi Kapoor, who played the role of Raj Kiran's reincarnation after the screen death of Raj Kiran in the movie.

She acted in over 200 films in her career. By the 1980s she successfully diversified into production of short films, ad films and documentaries by setting up Fact Films and later, Durga Khote Productions, which produced the Doordarshan TV series Wagle Ki Duniya.

Her two sons Bakul and Harin were born from her first marriage with Vishwanath Khote. It was a traditional marriage into an orthodox family. Vishwanath Khote was from a millionaire family who were, at that time, the largest share brokers and road contractors. Vishwanath was a mechanical engineer from Banaras Hindu University who died young. After she was widowed, Khote had an unsuccessful second marriage to Mohammed Rashid.^{[13][not in citation given]} Harin himself died at a young age, and was survived by his wife, Vijaya Mehta and two sons.^[14]

Her grandchildren include Ravi, a filmmaker; granddaughter Anjali Khote; grandson Deven Khote, a television producer,^[15] and a noted film producer, making films such as Jodhaa Akbar and Life in a Metro.^[16]

Sharda Mukherjee, the ex governor of Gujarat and Andhra Pradesh and wife of India's first air chief marshal Subroto Mukherjee was her first cousin (mother's sister's daughter). Sharda Mukherjee's paternal uncle Ranjit Sitaram Pandit was married to Jawaharlal Nehru's sister Vijaylaxmi Pandit.

Her brother-in-law, Nandu Khote, was a noted stage and silent movie actor. His daughter Shubha Khote acted in Hindi films; debuting in Seema (1955), she later directed and produced Marathi films and entered television in the 90s. Viju Khote, most known for his role of Kalia in Sholay (1975), is a noted character actor, and younger brother of Shubha. Shubha's daughter, Bhavna Balsaver, is an award-winning TV actress. They appeared together in 1993's sitcom Zabaan Sambhalke on DD Metro.^[17][18]

Later in life she wrote her acclaimed autobiography in Marathi, which was later translated into English as I, Durga Khote,^[19] and moved to Alibaug, near Mumbai. She died on 22 September 1991.

A postage stamp, bearing her face, was released by India Post to honour her on 3 May 2013.